Photography sandy skoglund biography artist

Sandy Skoglund was born in Weymouth, Massachusetts, in 1946. Her next of kin moved around frequently, following illustriousness path of her father manner in a large multinational firm. The early years were drained in New England, and escalate later they moved to Calif., where Skoglund graduated from lanky school.

Skoglund studied studio art playing field art history at Smith Faculty from 1964-68.

As a Hand down Year Abroad student to Writer in 1966-67, Skoglund studied Section History at the Sorbonne humbling immersed herself in avant-garde films, including the French New Undulation and Italian NeoRealism that in the grip of at that time. In 1968, upon graduating from college, Skoglund taught art at Batavia Ant High School in Batavia, Algonquian, in order to earn nobility money to pay for grade school.

One year later, love 1969, Skoglund went on take a look at the University of Iowa extract Iowa City, where she pretentious painting, printmaking, filmmaking, and compact disk, receiving her M.A. in 1971 and her M.F.A. in image in 1972.

Along with a boon companion and fellow grad student certify Iowa, Skoglund moved to Novel York in May of 1972, settling at first into ethics downtown area below Houston Coordination.

She pursued her interest generate multi-media, and this morphed encounter a focus on conceptual vivacious. Skoglund's work at that disgust involved repetitive gestures with precise minimalist philosophy, resulting in counterparts that "made themselves" through supplement. The idea of duplication streak accumulation as a visual usage is seen in her imprison of photocopying on a rented xerox machine and her Story With Jellybeans in 1975.

In the end, Skoglund’s desire to document unreal ideas led her to demonstrate herself photography. This developing club in photographic pictorialism became blended with her interest in regular culture and advertising strategies, derived in a series of race still lifes in 1978 assort such titles as Luncheon Nourishment on a Counter and Peas on a Plate.

In 1980 Skoglund sculpted cats in direct bedaub for a postapocalyptic installation put forward photograph titled Radioactive Cats.

Become infected with this piece, Skoglund defined broadsheet herself a practice of creating sculptures and installations that commerce arranged for the camera plenty specific, meticulously wrought compositions. Business these works photo-tropic, Skoglund besides incorporated live models who exhibit and performed under her target.

This hybrid conjunction of art forms has straightforward Radioactive Cats one of glory defining images of tableau film making from the 1980’s. Skoglund has continued to explore a outoftheway working style and the delicate issues it encompasses to grandeur present day.