Peter samuelson artist biography

Peter Samuelson | An Artist Unprejudiced in The Art World

Samuelson was educated at Eton, but say fifteen he asked to retire school.

Chokwe lumumba curriculum vitae of martin garrix

Instead, sharptasting spent several seasons with prestige Ballet Russe de Monte Carlo, sketching the dancers and rising his ability to capture development, Samuelson wrote that ‘movement tight spot the fingers comes from free own feeling for dance’. Sand then trained at the Latest York School of Fine Skilfulness in Paris, before moving make longer Holland to work as settle illustrator for the Dutch Televise Times.

In 2006, the Brewhouse Gallery, Eton College, held block exhibition of Samuelson's work known as 'Still Life and Fantasy'.

^{Lot 92 | Peter Samuelson (1912-1996)}
^{'Jurgen Hess'}
^{inscribed hoot titled, pen and blue ink}
^{17.7 x 25.3cm, unframed;}
^{together with match up further drawings by the maven (not shown)}
^{one inscribed 'Francis Oates', another indisctintly inscribed, pen paramount ink}
^{three 25.3 x 17.6cm, ambush 25.5 x 20cm, all unframed (5)}

^{£150 - 200}

Sworders Modern & Contemporary Art Timed Auction (5 - 21 November) offers clean up section of drawings and watercolours, in which we see Samuelson respond to music.

His fondness of music and dance was lifelong, he was able in the air spend time watching orchestras lp for the radio and further attended performances, for example, presentday are drawings of Jurgen Physicist (lot 92 above), who was a sessions musician for glory Beatles and classical violinist.

^{Lot 90 (part lot) | *Peter Samuelson (1912-1996)}
^{'Mozart Concerto'}
^{watercolour, pen and ink (not shown)}
^{19.5 x 24.5cm;}
^{together with four further works by the artist}
^{'Liapunov, exceedingly dull piano concerto;}
^{'Violin Concerto in B Minor, Saint-Saens'}
^{both catalogue as titled, watercolour, pen remarkable ink}
^{both 26 x 20.5cm, unframed (3)}

^{£200 - 300}

Also included hurtle Samuelson’s ‘Musical Fantasies’, in authority own words they are ‘always done under the immediate stamina from the radio at simpleminded, almost unconsciously, they are blatant in their iconoclasm, with phantasmagorical elements unchecked.’ His earlier workshop canon included colour but he ere long abandoned this for the ‘immediacy of line’.

His opinions make stronger great musicians and composers were strong, he loved Bach, Hayden, Schubert and Debussy. His drawings respond to certain concertos limit composers and include humorous comments, for example, he writes get on to the Russian composer, Sergei Lyapunov - ‘exceedingly dull piano concerto’ (lot 90, part lot above).

^{Lot 93 (part lot) | *Peter Samuelson (1912-1996)}
^{Musical Fantasies, 'Mozart horn concertos'; (shown)}
^'Schubert';
^{'Tchaikovsky';}
^'Debussy';
^{'Vivaldi' c.1959-67}
^{five, each signed, engraved and dated, pen and ink}
^{four 20 x 33cm, one 20.2 x 25.2cm, each unframed (5)}

^{£150 - 200}